How Long Is A Formula Bottle Good For Once Made Manmohan Desai (Making The Impossible Possible)

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Manmohan Desai (Making The Impossible Possible)

On this day, February 26, 1937, a child was born to Kalavati and Kikubhai Desai. I pay tribute to this prolific producer and director none other than the brilliant Manmohan Desai. Let me take this opportunity to share some interesting anecdotes about this legend who believed, “Anhonee Ko Honee Karna Hamara Kaam Hai” (Making the impossible possible is our job).

In earlier years

Born on February 26, Manmohan Ji was four years old when he settled in Khetwad, Mumbai. Born in a Gujarati family but his love and home has always been the city of dreams and dream merchants namely Mumbai. Love for the city of Mumbai was often portrayed on screen in his films.

There was a time when neither Khetwad’s nor Manmohan Ji’s address was reflected on city maps. Many had not heard of Khetwad then in the early 80s. No doubt the taxi drivers gave blank stares when asked for the address of MKD Films.

His father was a film producer who owned Paramount Studios (later Filmalaya) and made films between 1931 and 1941. His father died at age 39 of a ruptured appendix. At that time, the family also owned a large bungalow in Versova, but the father’s sudden death left behind large obligations and debts.

Manmohan Ji’s mother said quite clearly, “No, I don’t want to live in debt”. He sold the bungalow and the cars they owned to pay off the debts. The only thing he didn’t sell was the studio, as that was their monthly income then.

Making the impossible possible

Manmohan Ji’s first directorial film was ‘Chhalia’ starring actor Raj Kapoor. The film was shot in black and white and not to forget the title song “Chhalia Mere Naam”. It is known that he mainly amplified the thoughts and inputs creating the plot or plot under the famous landmark Café Naaz restaurant on the slopes of Malabar Hill.

He didn’t appreciate the idea of ​​the film ending on a sad note. He always believed in a happy ending, even if it meant making the impossible possible. Undoubtedly, he was considered a master entertainer whose passion was to delight the masses who always watched his films with happy endings. His career chart became more popular between 1960 and 1988.

The characters depicted in his films were mostly the common masses, be it a person on a railway platform Cooliewaiter in Naseeb or an Anglo Indian from the streets of Bandra Amar Akbar Anthony. The confidence he showed in all these characters that later succeeded is indeed highly respected coming from this master entertainer and genius Manmohan Desai.

He was a middle class man. Be it on set or otherwise, Manmohan Ji was known for his hour-long afternoon nap. He always felt refreshed and recharged after a short nap. After the success of his film Amar Akbar Anthony he bought an aristocratic apartment designed with modern amenities in one of the most expensive locations in Mumbai at the time. But his heart was always in Khetwad, a colony belonging to middle-class people in Central Mumbai.

Amar Akbar Anthony (Story)

Although Manmohan Ji delivered many hit films in his career, there is one of his films that is loved by many even today. “Amar Akbar Anthony”. I would like to share some interesting anecdotes about this evergreen entertainer that has enthralled millions of audiences even thirty-five years after its release.

The idea of ​​the movie “Amar Akbar Anthony” got director Manmohan Desai from a news he read in an evening newspaper. An alcoholic man named Jackson was fed up with his life and one day packed his three children into a car and decided to drop them off at a park. It can be rightly said that where the news ends, the story of director Manmohan Desai begins. He twisted the story a bit by forgetting the alcoholic part and making sure the father returned to find all three of his children missing. In the story, the eldest child was adopted by a Hindu police officer and the other two by a Muslim tailor and a Catholic priest.

My name is Anthony Gonsalves

The inspiration for Anthony was Desai’s real-life character Antav, who stayed closer to his home in Khetwad. He wore a funny hat and conversed with Desai in his dialect, “Desai Kaisa Hai Dikhtaich Nahin”. Director Desai was very fascinated by her character and decided to show her on screen.

In the song “My name is Anthony Gonsalves” (You see, the entire country of the system is compared to the hemoglobin content of the atmosphere, because you are a seasoned rhetorician drunk on your own verbiage.), spoken by Anthony as he exited the Easter Egg, is an almost exact quote from a speech in the UK Parliament by British Prime Minister Benjamin Disraeli in 1878. Disraeli (who referred to William Ewart Gladstone) used the word. “drunken” rather than “drunken”.

A medical disaster

As Superstar Mr. Amitabh Bachchan said, “He (Desai) first designed the ‘items’ he wanted in the film, then shot them and then wrote (the script) to bring them together.” He was known to do the craziest things, but it always worked for him.

When it comes to the famous “blood donation” scene (where one mother’s three sons give her blood at the same time). “It was a medical disaster. Where in the world are there three people lying in the same room and giving a blood transfusion from one bottle?” Three separate tubes carry the men’s blood to a suspended bottle, from where only one tube delivers the blood to mother Bharti. The credits end and then the main story begins.

“It was a medical impossibility. But Desai did it and it worked. When (the scene) opened, there was incredible applause in the theater.” It was exhibited by Chief Creative Officer Manmohan Desai.

The man himself

One thing was evident in most of Manmohan Desai’s films; he always showed his deep respect for the mother figure. He said: In my films I always talk about ‘Ma Sherovali’. I feel that woman is the ultimate creation. She is the one who conceives, gives birth to a child after nine months, she cares for difficulties. He brings new life into the world. I appreciate them very much. I am a big believer in Durga, Amba and Lakshmi. His credits include Naseeb, Suhaag, Parvarish, Coolie, Mard, Desh Premee and Amar Akbar Anthony to name a few.

Desai always believed that parents are above God and of course above themselves. Hurt them and hurt yourself was his simple belief that still resonates in the world of cinema today.

A man who firmly believed “Find Corner” the formula is gone from this universe and no one would ever find a formula to replace the masterful entertainer that is the creativity of the man Mohan Desai.

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