What Is The Formula Of The Area Of A Rectangle Moving Beyond the Fundamentals

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Moving Beyond the Fundamentals

Today’s quote: “Formal education can teach you a lot, but many important skills in life are ones you have to develop yourself.” Lee Iacocca

I made a depressing discovery in my painting class this week,

only to have another stunner an hour later. Or rather

New to this class – it was my fourth lesson – it dawned on me that everyone has a formula for organizing their palettes. Age

the student had a color scheme that he followed very closely, and

each placed the color on their palette in exactly the same way.

I made this observation only in this class,

for I had never allowed myself the liberty of walking about

painting loft at the beginning of the class before. This class

had been going on for many years. Everyone knew everyone else,

and our instructor Clyde also knew his students for years. They ate lunch together after class, joked around while painting, and were generally one big happy family. But they scared me. They were all very New York artistic. Most of them were much older than me, each with ten to twenty years of painting experience. I was a class kid. The one with a dozen paintings under my belt. No one really asked my name. Nobody really cared. So when I mustered up enough courage to ask Clyde about this palette technique, he said yes, there is a precise way, with very precise colors, to set the palette on my palette in preparation for painting.

That’s not how I was taught. Two previous teachers had done this

it’s much different. My original instructor, Luisa, is Colombian. A brilliant painter, he painted with a Latin flair. Boldly, but with precision. We students randomly painted,

by the pool, where Luisa’s Colombian often interrupted

the janitor who warmed up us tired painters with piping hot water

espresso at the snap of Luisa’s finger. We created our own palettes

putting paint on styrofoam boards and we only put the colors we thought we needed to paint that day.

My second teacher only gave me six lessons. He hated the idea of ​​plates, and when I showed up to my first class with a stack of Styrofoam, he automatically relegated me to the beginner bin. He insisted that I go out and buy a proper palette and order a glass cutter to cut a rectangular piece of glass to fit inside. It was the right palette—and I dare not come to class without it! And again we put the colors as needed for our particular painting of the day.

So by the time I got to Clyde’s class at the famous Silvermine

Art School in New Canaan, with a neat glass-lined palette

I felt quite confident. Several canvases assembled

under my arm, my huge art box full of tubes, brushes,

coal, Liquin, turpentine, and the like, I settled down quite well

simply. And Clyde had never discussed my palette with me. So on

in that fourth hour I finally asked Clyde about this palette

thing. He immediately walked over to Alex’s easel and brought

back to a diagram – very formal looking – of oil paints arranged in a

exact order around the rectangle, without variations and together

exact oil colors spelled out. We had to put our colors around a

rectangular palette every week we arrived in exactly that

in order, regardless of what we painted. And he hated it

the idea of ​​glass. He wanted me to mask the paper palettes.

taped the tray to the table. Hmmm.

A few hours later I went to our local library to look it up

Paintings by Wolf Kahn. No luck. But I read the last issue

of American Artist magazine, which featured an inspiring article on John Asaro. I gushed over his work – he has an unusual palette of brilliant, sun-bursting colors and a fresh, bold stroke – only to get to the bottom of the article and see that he has a very precise palette that the writer prescribed. to an error. It was different than Clyde’s.

Why all the fuss about my art class and my palette? Most of you

do not paint with oils anyway!

The lesson is this: All three art teachers were

extremely successful. All were prolific painters. Everyone had

exhibited at exhibitions. And John Asaro has got international

recognition. But they had all learned the right basics. Then

they discovered their technique. Their own style.

Such is motherhood. You need to follow certain fundamentals

learn. You need to learn how to properly care for a newborn. How to clean out

his ears, suck his nose, bathe him. There are the basics

principles of good hygiene that must not only be followed

yourself, but teach your children. You have to study

the basics of good nutrition so you can provide nutritious meals for your family. You need to learn the basics of aerobic exercise and strength training so you can be a fitness model for your kids and help them start a lifelong commitment to exercise. You need to get to know certain classic readings so that you can help develop your children’s minds. I believe it is of the utmost importance that you nurture the souls of your children by giving them religious instruction and lead your children to believe in, respect and love God. It is vital that you inspire your children with great music that transforms their souls and instills in them respect for the giants that came before them.

But the techniques you use to do this can be as different as mothers and babies. Because I could instill proper form by having my daughter perform classical ballet; you can have your tap dance on your kitchen floor. I can teach my children to appreciate music by having them play the classical violin. Yours can be fiddling in your garage or banging your drum kit.

It is important that we learn from each other. Through direct

observation and reading good articles and books

we can shine great insights on creativity and motherhood

how to do your job even better. I learn a lot from my readers who email me with invaluable stories and anecdotes, who

perspectives have blessed me and helped me grow as a mother and as a person. I wouldn’t have learned the “palette class” if I hadn’t directly observed the other students. If I didn’t ask questions.

Motherhood is not a science. It’s art. If you put your

colors, make sure you have the right basics. But then

set them free with your own style. Your own technique. Be brave

paint your days with your fresh and bold line.

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